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February–March 2005Adam in shorts… in winter??Palimpsest EnLighten™ The Life and Death
of Henry What’s-His-Name Adam spent the latter part of the winter in shorts! Short films, that is! He played leading roles in all three of the very different projects above, all of which were shot over the first three months of 2005. "Palimpsest" is a poetic film, exploring the relationship between domesticity and the broad sweep of world events, between the hearth and history. Adam had a voice-over role in this picture, providing the constant soundtrack of the march of time, reading headlines of significant world events from the 1920's to the present. "EnLighten™" is a futuristic drama set in the world of high-tech. Adam plays a slick corporate operative, working his way up the ladder of a company building a mysterious new device that taps into our feelings, needs, desires... perhaps our very souls. "The Life and Death of Henry What’s-His-Name" is a ridiculous
farce about a birthday party gone awry. Adam plays Todd, a shallow sophisticate
dominated by his girlfriend. Todd gets excited when Henry's girlfirend
Christina brings out a new party game: "Russian Roulette." He's
the first eager beaver to play, and antic mayhem ensues!
previous item back to top next item January 2005Yiddish She-Devils
Thursday, January 20th
& In Yiddish She-Devils Nicole Berger reinterprets medieval Jewish folktales and legends as comedic morality plays, highlighted by live Klezmer music and belly dancing, to examine she-devils from the underworld who unintentionally create scandal in the shtetl! Adam plays multiple comedic roles in this evening of two one-act plays—in the first, "Yiddish She-Devil," he plays a rabinnic student who serves as the prosecutor in the Jewish court proceedings against the demoness of the title; in the second, "How Yakov Swallowed His Pride," he plays a fey nobleman who swoons upon discovering a lost woman in the forest. Adam also plays Yiddish radio host Howie Shaken who serves as the narrator for the whole evening. These two one-acts will inhabit the stage at Santa Monica Playhouse for a three-performance sneak preview as a benefit for the Save The Playhouse Campaign. The producers hope to do a full production of the plays later in the year. Written
and Directed by: Nicole Berger Tickets Call the box office at 310-394-9779 x 1 for reservations.
Click for More…
previous item back to top next item September–October 2004TITLE
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"...Adam LeBow plays an affected waiter to literally die for..."
"...the cast is worth the price of admission..."
"...a sharp, exceptional ensemble..."
"...all squeeze every drop of comic possibility from their various roles, exhibiting amazing finesse and know-how..."
"...like 'Your Show of Shows' veterans.."
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Oh I was busy... So busy, in fact, that I didn't update my site, so now nothing's archived from that period!! Sorry!
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Nov
9 – Dec 15, 2001Adam is currently appearing in Theatre of NOTE's late-night production of It's Later Than You Think: 10 Five-Minute Plays, praised by Backstage West as "smartly acted and sharply produced."
The project began last May, when NOTE sent out over 400 invitations asking playwrights to create a five-minute play in response to the statement, "It's later than you think." Of the over 80 plays submitted, the ten best were chosen, great directors were found to helm them, and thus a great night of theatre was born!
Adam is featured in "Slightly Later Man," an hilarious sci-fi spoof penned by Jon Colton Barry and directed by the glorious Irene Tassiopulos, making this Irene and Adam's third collaboration (following The Wooden Breeks and "Playballs").
In "Slightly Later Man," Adam plays Ronny, young lab assistant to the illustrious Dr. Lloyd Wexler, who, in an effort to break through the fourth dimension and control time, created the TIME-U-LATER. But a mysterious lab accident caused the TIME-U-LATER to explode, bombarding Dr. Wexler with dangerous "time waves" and causing him to miraculously exist seven seconds in the future!. Dr. Lloyd Wexler realized that he must use his new found powers to fight evil and become SLIGHTLY LATER MAN!
It's Later Than You Think runs Friday and Saturday nights at 11:00 PM through December 15. Call (323) 856-8611 for info and reservations.
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A
Christmas ThranceA Christmas Thrance 2001: another slightly sarcastic, sparkling thrantastic, jumpin' jubilee!
'Thrance' is a word coined by the choreographer by combining 'Theatre' and 'Dance'. It's highly theatricalized dancing, or highly physicalized theatre, depending on how you want to look at it. I liken it to the dance component of musical theatre—so... imagine a musical, take away the dialogue and the singing, and whatcha got left: that's THRANCE! Come see it for yourself! It's fun, cheeky, campy, wry---you'll have a good time!"
Adam appears in seven of the show's numbers, and even has a solo!
This production marks the fourth incarnation of Thrance, following Sweet and Sour Tears, A Christmas Thrance 2000, and Cowboy Thrance. Another Thrance production is planned for Summer 2002!
A Christmas Thrance 2001 performs December 6, 7, 8, 13, 14, 15, 17, 18, 19 at 8 PM, and has two Sunday matinees, December 9 and 16, at 2 PM. Call (323) 860-6503 for info and reservations, or contact producer Stephanie Bell at bellsteph@yahoo.com.
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"IN
NEW YORK IT'S HOMICIDE…
IN HOLLYWOOD IT'S THE BIG BREAK."
Shooting Stars is a twisted black comedy about three frustrated Hollywood actors in their 30's. They thought their careers had hit bottom until, during an audition, something terrible happens and the bottom drops out! Fate intervenes and our three actors realize they have been seeking stardom in the wrong way. A little murder, a little mayhem, and the boys hit the big time! But, there can be only one...
In the film Adam plays Stu D. Baker, a smarmy late-night talk show host who always puts Hot List on the hot seat!
Principle...ahem...shooting on the film wrapped at the end of September.
Watch this space for release info!
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Playballs!While preparing for upcoming film projects, Adam assists good friend and talented actress Irene Tassiopoulos as she takes the director's chair for the one-act play "Playballs"!
As Armitage Shanks, Adam romanced Irene's Tricity Tiara in The Wooden Breeks on Open Fist's mainstage this past spring. Working together was such a great experience for them both that they decided to team up again! Adam will assistant-direct and stage-manage the production as one of three one-act plays presented in The 2nd Annual Open Fist Directors' Festival.
"Playballs" presents the adventures of Lucy Posner and her quest for every American girl's dream: to be a Major League umpire! It's a contemporary comedy by Toronto playwright M. Brownell, based on a true story.
"Playballs" runs Sundays and Tuesdays at The Open Fist Theatre,
1625 N. La Brea Ave. (between Sunset and Hollywood Blvds.). For tickets
call OFTC at
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Produced
by Adam LeBow:Adam dons the producer's hat for The Open Fist Theatre Company's current mainstage play, Casanova by Constance Congdon, directed by Martha Demson.
The production has won raves from Backstage West critic Hoyt Hilsman as well as from audience members—"tour de force theatre," "best thing I've seen at Open Fist" are among the comments that have come Adam's way!
Check the Open Fist Theatre Company web site to read the Hilsman review and learn more about the production!
Casanova runs May 25 to June 23 at The Open Fist Theatre, 1625 N. La Brea Ave. (between Sunset and Hollywood Blvds.). For tickets call OFTC at (323) 882-6912.
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The Wooden Breeks is a fairy tale-within-a-play which starts somewhere in Wales in the 19th century and, once the fairy tale begins, transports us to some even more remote part of the British Isles, to the town of Brood, a place the playwright describes as "a sort of miserable and famine-plagued Brigadoon," or, as a friend recently put it, "Brigadoom!"
In this production, Adam plays Armitage Shanks, a character even whose very name is a joke, as it is borrowed from a British company that designs and manufactures bathrooms. In the words of a Brit I asked about it, the name is "on every toilet in England."
Playwright Glen Berger describes Armitage as "Swain, poet, painter. In love with Tricity Tiara. Or in love with love. A romantic's romantic, and rather self-centered. Through an inheritance, the only one in town with any money to speak of."
The Open Fist Production (Breeks' LA premiere) is directed by Dan Fields, with whom Adam has worked on four previous productions, variously as assistant director, co-writer, and dramaturg, most recently as assistant-director of Dan's production of Arthur Miller's The Man Who Had All The Luck, recently nominated for seven "Robby" Awards (Best Production, Best Direction, Best Playwriting, Best Lead Actor, and three Best Supporting Actor noms), and named by the Los Angeles Times as one of the Top 10 Theater Events of 2000!
Breeks marks Adam's first project as actor under Mr. Fields' direction, and, hopefully, the first of many!
The Wooden Breeks runs March 16 to April 14 at The Open Fist Theatre, 1625 N. La Brea Ave. (between Sunset and Hollywood Blvds.). For tickets call OFTC at (323) 882-6912.
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Ourselves
AloneThere are no personal reasons anymore—only political…
Ourselves Alone, Anne Devlin's blistering drama set in and around Belfast in the mid-1980's explores the tragic clash between human desire and political turmoil.
It centers on three women whose dreams have been destroyed by the conflicts of a post-Hunger Strike Northern Ireland.
Adam plays Danny, a young musician whose commitment to his art makes him an oddity among the highly polarized and politicized community in which he lives. Yet, it is his music that preserves his soul and his sensitivity. His struggle reflects that of the women at the core of the drama, and binds his story to theirs.
As Danny, Adam plays piano as the accompanist of aspiring singer Frieda (played by Geraldine Hughes). Adam composed the music to one of the two songs (using Anne Devlin's lyrics), the other being a popular Northern Irish folk tune.
Ourselves Alone is a co-production of The Open Fist Theatre Company of Los Angeles and the New York-based Alone Productions. It runs Tuesdays through Sundays at The Producers' Club in New York City. For tickets and more info call (212) 279-4200.
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Sunday,
Nov 12, 1:00 PMYou can
change the laws…
…but you'll never change the city.
In Bay of Smokes, a noir-inspired one-act by sisters Alena and Alisa Wilson, blackmail, murder, and the whole history of Los Angeles unfold in a little local bar.
Adam plays Joel, neurotic writer who's got the hots for Carmen, a dangerous beauty with a lot of secrets. But she's not the only one with something to hide. There's Eddie the snitch, Barry the Barfly, Laura the cocktail waitress with a chip on her shoulder, and strange visitors Marvin Hayvenhurst and Malone, the private eye. Dark passions and darker deeds are revealed as Chess the barkeeper tries to maintain his perspective and his liquor license.
Bay of Smokes will be performed at the LA Theatre Center, 514 S. Spring Street in downtown Los Angeles, as the Open Fist Theatre Company's offering in the Edge of the World Festival's LA History Project on Sunday, November 12, 2000, at 1:00 PM.
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Measure
for MeasureAdam made his Open Fist Theatre Company debut in their production of Measure for Measure, which ran from September 15 through October 21!
In the Michael Winters-directed production, Adam played both Froth—a local party kid who made his way from the outer suburbs of the Valley to the inner circles of the Hollywood club scene, only to discover that the underworld's got him in over his head; and Abhorson the executioner—made hard and cynical by the prison system in which he functions, but with eyes open enough to know the difference between the dispensation of true justice and the mere exercise of power.
In addition, Adam appeared as Angelo for three performances, September 29–October 1. In a work about society's underbelly wherein wander thieves, pimps, and whores, Angelo serves as the play's only true villain, a strident purist and puritan whose rise to power lends him to believe he who holds authority can shape morality to his will. And for him to achieve his ends, heads will roll…
The Los Angeles Times and LA Weekly critics came opening weekend, but the critic from Backstage West came during Adam's Angelo appearances! Click below to read the review!
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Sketch
Comedy:October 16th and 17th at 8pm, Adam made his Los Angeles live sketch comedy debut with Miss Millicent's Fall Recital! It's 45 minutes of brand-spanking-new original comedy written and performed by some of LA's best talent in two special benefit performances for The Open Fist Theatre Company.
Fast-paced, good-looking and not afraid of hyphens, Miss Millicent's Fall Recital loops through the worlds of work, play, sex, liquor, sex, museums, crime, sex and politics. Plus, there's some stuff about sex. Which is very funny, I don't care who you are. And it's not nasty or uncomfortable, either. Just good.
Created by Samantha Bennett, Cap Parnell and Michael Powers under the auspices of The Open Fist Theatre Company, Miss Millicent's Fall Recital provides quality sketch comedy with excellent actors. And that's not just bragging, either. These writers are award-winning!
Having written, acted and directed for some of the USA's finest comedy theatres (credits include: The Second City, Comedy Sportz, ImprovOlympic and The Village Gate) Sam, Cap and Mike now bring their unique style of literate, loopy comedy to LA. Don't miss this opportunity to catch this remarkable evening of funny, sexy people making other funny, sexy people laugh. And yes, that was a compliment.
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Adam did a turn as playwright/screenwriter Eddie Mayer in a reading of Josh Rebell's latest opus—Gatsby in Hollywood—for Sacred Fools Theatre. The first act of Gatsby in Hollywood will be performed in November as Sacred Fools' offering in the Edge of the World Festival's LA History Project. A full production is planned for the Sacred Fools Mainstage in 2001.
The reading took place from 6 pm to 7:30 pm on Monday, September 18th at The Space Theater, directly across from Sacred Fools (on Heliotrope just below Melrose), directed by Dave Moore.
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